https://www.ohjazz.tv/mag daily 0.75 2026-02-16 https://www.ohjazz.tv/mag/grace-mahya-rtd5x monthly 0.5 2026-02-16 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/6d488a68-7c89-4b5e-8853-e4ec3add2866/florencia-viadana-F7W1QP62psQ-unsplash.jpg Blog - Albums and Artists to Start Listening to Jazz Jazz is a musical genre that has traveled around the world. It is celebrated for its standards, its instruments, and its distinctive sound that has evolved over time. Entering this world—which for many feels confusing and difficult to listen to—can be an arduous and intimidating task. That is why here we will talk about the essential jazz artists and albums: works that captivated audiences, that will live on forever, and that every jazz lover should know. 1. To begin this list, we must introduce Time Out by Dave Brubeck and his quartet. Released in 1959, it includes the classic “Take Five,” a blend of the familiar with unexpected shifts that surprise the listener. This album is a landmark because it represents the essence of swing and became a symbol of the jazz sound of its era. It is perfect for beginners, featuring fluid swing, catchy melodies, and bringing together four masters: Dave Brubeck, Paul Desmond, Eugene Wright, and Joe Morello. 2. Also in 1959, an unmatched and almost inexplicable gem was released. Miles Davis surprised the world with Kind of Blue, an album developed in the modal jazz world. It uses fewer chords and revolves around fixed scales, serving as an exploration of a musical territory that was not perceived as the most commercial—yet it became a global success, the best-selling jazz album and one of the greatest in history. Davis assembled an all-star lineup full of talent: John Coltrane (whom we will mention later), Cannonball Adderley, Bill Evans, Paul Chambers, Wynton Kelly, and Jimmy Cobb. There were ideas and sketches of what was sought, but in practice, the musicians improvised and let themselves go. With such a talented and unique group, there was no way the results would not be successful. What emerged, however, touches perfection. “So What,” “Freddie Freeloader,” “Blue in Green,” “All Blues,” and “Flamenco Sketches” make up this creation. Listening to them in order is a journey that begins with the relaxed rhythm and atmosphere of “So What” and ends with the Spanish-tinged elements of “Flamenco Sketches.” 3. Heroic figures who delighted us in the previously mentioned release also forged their own solo paths. John Coltrane was a superstar who experimented and brought profound changes to his life—struggling intensely with addiction before finding a spiritual path that redefined him. In 1957, he released Blue Train, where a young Coltrane can be heard captivating audiences alongside an exceptional lineup: Lee Morgan, Curtis Fuller, Kenny Drew, Paul Chambers, and Philly Joe Jones. It has a dark atmosphere that unfolds through its arrangements, catchy melodies, and the musicians’ perfect execution. Following the path this master traveled in his life, one can move from Giant Steps to A Love Supreme, an expression that reflects his spiritual process and transformation through modality and a concept that serves as a portrait of his inner evolution. https://www.ohjazz.tv/mag/grace-mahya monthly 0.5 2026-02-16 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/51bbe779-892a-4a3a-b5ac-941f26d2660f/grace_mahya_banner_.webp Blog - Grace Mahya: The Soul of Japanese Jazz at Body & Soul Tokyo is a city where jazz breathes with singular elegance. Amid warm lights, a deep love for the genre, and an audience that listens with devotion, Grace Mahya began the celebration of her twenty-year career with a memorable performance at the legendary Body & Soul, one of Japan’s most iconic jazz venues. Throughout the evening, the purest essence of Tokyo’s jazz scene was on full display. From the opening bars of “Poinciana”, Mahya completely captivated the audience. Her interpretation, marked by subtlety and virtuosity, immediately built a bridge with her trio partners: Akita Goldman on upright bass and Kazuhiro Odagiri on drums. With the authority of a natural leader, Mahya introduced her musicians with emotion and gratitude, showcasing not only her stage charisma but also the deep sense of camaraderie that defines the best jazz ensembles. https://www.ohjazz.tv/mag/uniquely-5 monthly 0.5 2026-01-28 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/9f292e86-232d-4645-a57a-d045ade33e6e/uniquely_5_banner_nocopy+copy.jpg Blog - Uniquely 5: Japan’s Finest Uniquely 5 is an aptly named quintet consisting of some of the baddest musicians not just in Japan, but in the world. Clark Terry used to say the art of improvisation could be mastered in three steps: Imitation, Assimilation, and Innovation. It’s clear when listening to Uniquely 5 that each man has reached the pinnacle of his craft, beyond imitation and assimilation. More than echoes of giants long passed. This is hard bop that swings with the conviction of the early 60s Blue Note sessions, played by musicians who understand that tradition is more than preservation—it’s about carrying the flame. Of the musicians keeping the flame lit, it is only right to first address the bed of hot coals, the foundation: the rhythm section. On bass is Yosuke Inoue. Born in Osaka in 1964, he began his professional career while studying at Osaka College of Music, and after moving to Tokyo, he joined various groups such as Motohiko Hino Band and Masahiko Sato Band. In 1991, he moved to New York, where he performed with jazz legends such as Roy Hargrove and the great Hank Jones. That’s serious company, and it shows. Like a bed of coals, Inoue is calm, steady, and cookin’. https://www.ohjazz.tv/mag/tokyo-jazz-nights monthly 0.5 2026-01-14 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/4ebbd42a-dcb9-4491-ba85-eaa6aed699e3/bodysoul1.webp Blog - Tokyo Jazz Nights at Body & Soul The Body & Soul jazz club represents the pinnacle of Japanese jazz. Established in 1974 and located in Shibuya, Tokyo, the club has maintained its reputation through decades of beautiful music and intimate ambience. Over the past fifty years, audiences have witnessed firsthand the canonical evolution of jazz—from the end of the hard-bop era, to avant-garde, to fusion, to the emerging voices of tomorrow. When DownBeat recognized it as one of the top venues for jazz in Japan, they acknowledged what musicians and serious listeners have known for decades: Body & Soul is the real deal. Body & Soul is known for hosting local sensations and international stars alike. Fantastic local artists like trombonist and arranger Itsume Komano; innovative trumpeter Shinpei Ruike; hard-bop masters Uniquely 5; the experimental genius of Kazuhiro Takemoto and his Real Departure Octet; and Hironori Suzuki’s Electric BeBoplicity Band bring life and color to the stage. With a local scene so vibrant, it is hard not to fall in love with the culture. American-born saxophone superstar Patrick Bartley Jr. knows this well. While most musicians touring Japan are simply passing through, Bartley actually moved there. As a lifelong lover of Japanese culture, with a childhood rooted in anime like Dragon Ball Z and a deep appreciation for its music and assimilation of the Black American art form of jazz, it was a no-brainer for Bartley to relocate. After gaining worldwide recognition from his pedagogical solo on a viral recording of the tune “After You’ve Gone” with Emmet Cohen, Bartley’s career has soared to new heights. Now, he leads Dreamweaver, a Tokyo-based ensemble featuring some of the city’s hottest players, and directs the J-MUSIC Ensemble, which recontextualizes video game and anime compositions within the jazz idiom. https://www.ohjazz.tv/mag/o-jazz-brasileiro monthly 0.5 2026-01-09 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/5957ca52-c830-48e1-9291-cffc7690df4c/rafik-wahba-JMoUqps-9a8-unsplash.jpg Blog - O Jazz Brasileiro: Das Origens à Nova Geração Se a primeira onda internacional do jazz brasileiro viajou no embalo da bossa nova, a história completa é muito mais ampla — e começa antes dela. Nos anos 1950 e 60, o samba-jazz moldado em clubes como o Beco das Garrafas, no Rio, consolidou um idioma instrumental próprio: trios como Zimbo Trio e Milton Banana Trio articulavam a síncopa do samba com a liberdade do bebop, criando uma linguagem que nunca se dissolvia no academicismo. Essa geração pioneira estabeleceu os alicerces de uma escola que combinava sofisticação harmônica com o balanço inconfundível dos ritmos brasileiros. A virada dos 1970 escancarou o planeta. Airto Moreira e Flora Purim levaram o idioma para Weather Report e Return to Forever, mostrando que o Brasil tinha muito mais a oferecer além da bossa nova; Raul de Souza firmou sua voz ao trombone de forma inconfundível, explorando territórios do jazz-funk; Hermeto Pascoal, radical e lúdico, mostrou que tudo soa — panelas, vozes, pássaros — sem perder a sofisticação harmônica; Egberto Gismonti ampliou o campo com violões de múltiplas afinações na ECM, criando paisagens sonoras únicas. A conexão Minas–jazz se consolida com Wayne Shorter e Milton Nascimento em "Native Dancer" (1975), um marco que influenciou gerações de músicos. Na esquina eletrificada, Azymuth destilou samba, funk e teclados em alta voltagem, abrindo caminhos para o fusion brasileiro. Nos 1980 e 90, a diáspora musical se estabelece definitivamente, especialmente nos Estados Unidos. Trio da Paz fixa uma escola de acompanhamento e improviso que se torna referência mundial; Eliane Elias reafirma o piano brasileiro no cenário internacional; Dom Um Romão difunde a percussão carioca adaptada à bateria do jazz, influenciando bateristas globalmente; Toninho Horta torna-se referência harmônica global, ponte entre Clube da Esquina e guitarristas-jazzistas de várias latitudes. Nos bastidores, arranjadores como Mario Adnet e a redescoberta de Arthur Verocai revelam o quanto o Brasil orquestral dos anos 1970 alimenta tanto o jazz contemporâneo quanto o hip hop que sampleia cordas e sopros com fome de timbres. Chegando aos 2000 e 2010, duas frentes se cruzam: a cena de palco pequeno, que mantém o pulso vivo, e a curadoria global que redescobre o Brasil. Dos Estados Unidos ao Japão, selos especializados criam espaços de escuta para choro, samba-jazz, frevo e maracatu em versões instrumentais, enquanto uma nova geração de colecionadores e DJs redescobre raridades brasileiras. No Brasil, uma nova geração expande a paleta sonora: Lupa Santiago atualiza a guitarra no diálogo entre tradição e modernidade; Rafael Martini desenvolve o piano como veículo de mistura entre linguagens; Helio Alves projeta sua linguagem jazzística em palcos internacionais; Guinga continua levando o violão brasileiro aos palcos mundiais com sua sofisticação harmônica única; Sofia Barion, Rafael Abdalla, Edson Sant'Anna e Jorginho Neto enriquecem esse retrato de uma geração que mantém vivo o diálogo entre improviso contemporâneo e raízes nacionais profundas. O Trio Corrente merece destaque especial, estabelecendo novo padrão de refinamento técnico e estético, dialogando diretamente com a tradição do Trio da Paz enquanto projeta linguagem própria para a cena internacional. https://www.ohjazz.tv/mag/flamenco-jazz-captivating-fusion monthly 0.5 2025-12-31 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/03aaf266-5327-496f-bf90-af54fa02277a/keriliwi-POmGS3DEWq8-unsplash+%281%29.jpg Blog - Flamenco Jazz: A Captivating Fusion Flamenco, an artistic expression deeply rooted in the culture of southern Spain, has transcended its geographic origins to become a significant source of inspiration throughout European music history. Its rich blend of influences — including Romani, Arab, Christian, and Jewish elements — has given it a unique and expressive character that captivated composers far beyond its folkloric sphere. As early as the Baroque period, the Italian composer Domenico Scarlatti, who lived at the Spanish court, incorporated the vibrant spirit and rhythmic elements of Iberian popular music — precursors of flamenco — into his harpsichord sonatas. This early cultural exchange set a precedent for future generations of musicians. The influence of flamenco spread with particular strength in the early 20th century, especially in French impressionist music. Composers such as Claude Debussy and Maurice Ravel were fascinated by the sound and duende of flamenco — a fascination partly fueled by the Spanish composer Manuel de Falla, who lived in Paris and introduced them to Spanish guitar and flamenco. Debussy, in particular, absorbed the essence of cante jondo and Andalusian rhythms in works like La puerta del vino and the Iberia cycle. This adoption of flamenco elements by such influential classical figures not only legitimized the genre but also prepared it for a journey of experimentation and fusion that would later lead to a dynamic dialogue with jazz. Later on, Miles Davis’s deep fascination with flamenco entered the picture — a fascination that began after he attended a performance in New York. This interest culminated in the creation of the iconic 1960 album Sketches of Spain. Influenced by the intensity and profound emotion of cante jondo, Davis immersed himself in Spanish popular music. With the help of arranger Gil Evans, the album went far beyond simple fusion; it incorporated orchestral adaptations of works like Joaquín Rodrigo’s Concierto de Aranjuez, while also drawing direct inspiration from Andalusian folk music. This exploration became a cornerstone of the third stream movement — an innovative attempt to merge jazz with European and world classical music. On the other hand, the Spanish composer Manuel de Falla played a crucial role in this project. Davis and Evans included in Sketches of Spain the piece “Will o’ the Wisp”, inspired by the Canción del fuego fatuo from Falla’s ballet El amor brujo. Falla had been a pioneer in blending flamenco folklore with classical orchestration. His work demonstrated that flamenco could serve as worthy material for orchestral composition, paving the way for Davis and Evans to adapt it into their own jazz language. Falla’s mastery, together with the folkloric recordings collected by Alan Lomax, provided a solid foundation for Davis’s trumpet to express the melancholy and duende of flamenco over a lush orchestral texture. https://www.ohjazz.tv/mag/chano-dominguez-diego-amador monthly 0.5 2025-12-24 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/df4a187f-579f-4ef4-bb07-b1b902801acc/Chano-Dominguez-Diego-Amador-Cafe-Berlin-Madrid.jpg Blog - Chano Domínguez & Diego Amador: Piano Pioneers in Flamenco-Jazz  The piano has long occupied a nebulous relationship with flamenco. Going back to the 1700s, traditional flamenco instrumentation consisted primarily of a vocalist, a guitarist, a percussionist, and a dancer. It was not until the late 1940s that pioneers such as Arturo Pavón and Pepe Romero sought to bring the piano into the canon of flamenco music. Today, it is Chano Domínguez and Diego Amador who continue their quest for legitimization. Much like flamenco music itself, Diego Amador is a native of Seville, Andalusia. He is a highly accomplished multi-instrumentalist and singer in his own right, despite being the younger half of the piano duo. Also called “El Ray Charles Gitano”, or “the Gypsy Ray Charles”, Diego has collaborated with some of the biggest names in both flamenco and jazz—Tomatito, Camarón de la Isla, Pat Metheny, and Chick Corea to name a few. As a child, he studied the flamenco guitar, training that permeates his work today through his pianistic styling. As a solo pianist, Diego is supremely expressive through both voice and keys. With the freedom of a rubato time-feel and a dancing right hand, he is able to convey his emotions through the piano extremely effectively. His melodic style is primarily influenced by flamenco melodic ornamentation, with hints of jazz and even gospel. An impressive performer all around, his touch is clean and articulate, contrasted beautifully by the rawness of his vocal inflections, influenced largely by the traditional Spanish phrasing of cante jondo. Cádiz-born pianist Chano Domínguez forms the elder half of the flamenco-jazz duo. With 40 years of experience he has established himself as one of the greatest flamenco-jazz pianists in the world. As both a player and composer, Chano has collaborated with legendary flamenco guitarist Paco de Lucía, as well as jazz giants like Wynton Marsalis, and Herbie Hancock. He has received four Latin GRAMMY nominations, and has given masterclasses at the prestigious Juilliard School in New York City. As a solo pianist, Chano’s style contains musical multitudes. His playing evidences his genius as a composer—his interpretations and improvisations feel almost orchestral. He can range from tender jazz stylings with sonorous Bill Evans style block chords and a gentle rhythmic left hand, to a strong left hand and fiery right-hand melodic lines invoking jazz and bebop idioms as well as the expressive and ornamental melodies of flamenco. His touch is masterful, and his technical prowess appears effortless—however, most impressive is his internalization of time. Chano’s understanding of rhythm is tremendous; even without a percussionist to keep time, the audience can put their unequivocal faith in his hands, quite literally. https://www.ohjazz.tv/mag/brazilian-jazz-novas-vozes monthly 0.5 2025-12-17 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/873a6eb0-f2ea-4ae8-800e-c450384f7f00/Mestre-Negro_Banner.jpg Blog - Brazilian Jazz: Novas Vozes, Raízes Sólidas e Diálogo Global - Mestre Negro: Musica de Moacir Santos A música instrumental brasileira vive um constante ciclo de renovação. Repertórios se testam ao vivo em clubes e centros culturais, e tradições ganham novas dobras. Para quem vem de fora, a pergunta inevitável é: o que faz esse som soar "brasileiro" sem perder a vocação jazzística da invenção espontânea, da improvisação? A resposta talvez comece no ritmo. Em vez do swing marcado na condução do prato da bateria, o pulso brasileiro se desloca para dentro da síncopa do samba, do choro, do baião, do frevo, do ijexá. A bateria articula a levada em camadas — caixa em diálogo preciso com bumbo, chimbal a pontuar com delicadeza, surdos e pandeiros reais ou imaginários orientam as divisões rítmicas — e o baixo escreve linhas com acentos antecipados ou atrasados que criam uma sensação de balanço contínuo. O violão (predominantemente de nylon, às vezes de sete cordas) sustenta a levada como um mini-set de percussão harmônica, enquanto a melodia carrega o lirismo que vem do choro e da canção popular, mesmo quando ninguém canta. Esse é o campo do chamado Brazilian Jazz: não um subgênero, mas um eixo de práticas que fazem o jazz soar de outro jeito. https://www.ohjazz.tv/mag/jazz-christmas-songs monthly 0.5 2025-12-10 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/4b8eb387-ae5a-432d-b1ec-56a60e054425/ignat-kushnarev-mcdHEWWJ-n8-unsplash.jpg Blog - The Soundtrack to the Most Beautiful Time of the Year Christmas is a season that evokes the spirit of togetherness and celebration and jazz becomes the perfect soundtrack to accompany this time of year. Warm voices, wind instruments, piano, bass, and percussion help decorate that luminous atmosphere that fills people with joy in December. A mix of happiness, love, and nostalgia fills the air, and jazz naturally evokes and embraces those emotions. Among the most iconic works is “The Christmas Song” by Nat King Cole. His smooth voice and gentle piano accompaniment melt the heart of anyone who feels indifferent toward the holidays, as the lyrics create a cozy atmosphere that moves everyone who listens. King Cole captures a nostalgic mood, perfect for enjoying next to a glowing Christmas tree. This song has become a timeless classic, symbolizing the very essence of the holiday spirit. Another star of the season is “Have Yourself a Merry Little Christmas,” popularized by Ella Fitzgerald. Ella’s rendition combines a beautiful melody with a hint of melancholy that needs no introduction and is an essential part of any Christmas playlist. Its swing makes you want to grab a loved one, hold them close, and dance forever to that gorgeous voice. The great Duke Ellington adds sophistication and sparkle to “Jingle Bells.” His big band arrangement transforms this children’s classic into an orchestral feast full of energy and elegance, where every instrument seems to celebrate its own banquet of notes. With a touch of mischief, Eartha Kitt conquers the season with “Santa Baby.” Her seductive voice and playful style turn a letter to Santa into a game of jazz, humor, and desire — showing that Christmas can also have a cheeky charm. Meanwhile, Louis Armstrong infuses “Winter Wonderland” with his unmistakable joy. His trumpet and raspy voice turn snow into rhythm and winter into swing, reminding us that jazz always finds a way to celebrate. On a more introspective note, John Coltrane takes “Silent Night” to a spiritual realm. His saxophone doesn’t just play the melody — it meditates on it, it prays it. His version transforms the carol into a transcendent experience, serene yet powerful. In addition, contemporary artists like Diana Krall, with her album “Christmas Songs,” have revitalized the holiday repertoire. Songs such as “Let It Snow! Let It Snow! Let It Snow!” offer a blend of elegance and rhythm that allow the genre to evolve and remain modern. Jazz has accompanied countless stories — it’s a soundtrack that defines moments and stirs deep emotions. It enriches Christmas by evoking feelings that overflow the heart and make us cherish our loved ones and life itself, inviting us to reflect inwardly during the most beautiful time of the year. by José Mejía https://www.ohjazz.tv/mag/flamenco-jazz-capitulo-segundo monthly 0.5 2025-12-03 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/16597d5d-d9db-4ab5-939e-d1855f384410/Foto+1.jpg Blog - ¡Conoce el Flamenco Jazz! - Los orígenes - Chano Domínguez, Jerry González y Javier Colina. El Jazz y el Flamenco emergen y se desarrollan con cualidad de vehículo expresivo, a la par que válvula de escape y nexo interno, de sendas comunidades que malvivían sin apenas posibilidad de mejoría, víctimas de un sistema social injusto por naturaleza y directamente racista, que les negaba unos derechos fundamentales: el pueblo gitano y el afroamericano, respectivamente. En ambos casos, tocar, lo mejor posible, la música propia, para solaz de un público blanco bien situado en términos económico-sociales y de cierto gusto estético, representaba una de las escasísimas vías para subsistir con cierta continuidad, aun modestamente. Dentro de estas comunidades, la música irradiaba mediante intensidad cegadora, trascendía a sí misma, significaba más de lo que era, en unas comunidades hermanadas en última instancia mediante una génesis tribal purísima, estricta, cuyas profundas raíces remiten a la denominada “noche de los tiempos”. https://www.ohjazz.tv/mag/jazz-folk-ljubljana monthly 0.5 2025-12-08 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/266a84e5-3ab9-4224-b97c-a9d74241b397/bram-van-geerenstein-ppePAx3Mhqo-unsplash.jpg Blog - Balkan Nuevo: Jazz and Folk Fusion at Ljubljana The Ljubljana Jazz Festival, established in 1953, holds the distinction of being the oldest continuously running jazz festival in Europe, representing more than seven decades of European excellence. This longevity speaks to the festival’s key role in the advancement of jazz as both an art form and a cultural force, particularly within Central Europe. It is within this regional and artistic context that Balkan Nuevo—a musical project pioneered by multi-instrumentalist/composer Goran Bojčevski (BOY-chev-skee)—comes into its own. Their style fuses traditional Balkan melodies and pedal points with the chromaticism and improvisatory nature of jazz, inviting these two worlds to coexist and create a scintillating new sound. Balkan Nuevo’s appearance at the Ljubljana Jazz Festival is more than just a performance. It’s an innovative continuation of the cultural exchange between local traditions and global influences, a dialogue that has been at the heart of the festival’s identity from the very beginning. Ljubljana, the capital of Slovenia, holds an important place at the convergence of Germanic, Mediterranean, and Slavic cultural spheres. The city has long been a hub of artistic and intellectual movements; its geographic and cultural positioning has made Ljubljana an ideal host for a festival that promises the fusion of jazz with a variety of European musical styles. Slovenia’s rich musical heritage—encompassing everything from the sacred polyphonic music of Jacob Gallus (1591) to the modernist operatic compositions of Marij Kogoj (1956)—fosters an environment where innovation is both embraced and expected. Goran Bojčevski, born in Northern Macedonia, launched his professional career at the Ljubljana Academy of Music. He later earned a master’s degree in clarinet from the prestigious Mozarteum University in Salzburg, studying under the esteemed Alois Brandhofer (of the Vienna Symphony Orchestra and Berliner Philharmoniker). Critics widely regard Bojčevski as one of the most versatile clarinetists in the world—thoroughly dedicated to his classical training while also embracing the rich influences of jazz, latin, and Balkan traditions. Balkan Nuevo as an ensemble embodies Bojčevski’s artistic vision, fusing multiple genres into a unique and singular sound. The group features young musicians such as Andraž Ferce on diatonic accordion, Matic Dolenc on guitar, Jan Sever on piano, Jaka Krušič on upright bass, and Gregor Horvat on percussion—each lending their own virtuosic touch to the music. Their performances shift from meditative and modal to ecstatic and danceable, from hypnotic drones to jazzy tones. The band’s repertoire includes arrangements of folk songs, jazz standards, and Bojčevski's original compositions, creating a program that celebrates multiple traditions simultaneously. Balkan Nuevo proves that both jazz and Balkan music are idioms rooted in improvisation, both capable of expressing the full range of human experience. The fusion of these two art forms achieved by Balkan Nuevo is not a compromise but a synthesis, revealing that tradition and innovation are not opposed, they are interwoven. By Theo Bookey https://www.ohjazz.tv/mag/musica-instrumental-brasileira monthly 0.5 2025-11-19 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/5ce93ac2-ffb9-4a89-aec3-3de01770eab9/DaniGurgel-2016-1482-1005+Capa2.jpg Blog - Laboratórios de proximidade: A Nova Geração da Música Instrumental Brasileira - Sidiel Vieira A música instrumental brasileira vive um ciclo de renovação ancorado em palcos de proximidade em São Paulo, com casas como o JazzB funcionando como verdadeiros laboratórios onde o encontro entre músicos e público molda repertórios, areja a improvisação e atualiza a tradição. A cada noite, formações testam o limite entre escrita e improvisação, e esse teste ganha rosto quando surgem exemplos como o do piano inventivo de Amaro Freitas (em turnês constantes pela Europa e EUA) e de Salomão Soares (presença frequente em festivais internacionais), a guitarra de Pedro Martins (vencedor do Montreux Jazz Guitar Competition) ou os sopros como os de Thiago França (Metá Metá, circulação ampla no exterior), que definem contornos de linguagem que já nascem cosmopolitas https://www.ohjazz.tv/mag/nowhere-jazz-quartet-from-bogota monthly 0.5 2025-11-12 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/115ef8f6-8e21-42c8-9444-1d534704add7/NOWHERE+JAZZ+QUARTET.jpg Blog - Nowhere Jazz Quartet: The Free, Urban Sound of Bogotá’s Jazz For the past sixteen years, drummer and composer Juan Camilo Anzola, a professor at the Universidad Distrital de Bogotá, has led one of the most consistent and innovative projects in Colombian jazz: the Nowhere Jazz Quintet (now a quartet). Founded in 2009 based on his own compositions, the group has managed to evolve without losing its identity, moving through different formats — performing as a quintet for over ten years and now transformed into a quartet. Since its beginnings, Nowhere has had a prominent presence at Bogotá’s Jazz al Parque Festival, where Anzola has repeatedly achieved the highest scores in auditions, both with the quintet and with his other project, the Anzola New Trio, which he considers a natural extension of the band. Their first album, “En ningún lugar” (“Nowhere”), was a statement of intent: a sonic exploration that delved into various lineups and styles, ultimately arriving at a unique musical language. That language reflects a range of influences, including the energy of hard bop, the modernity of acid jazz, as well as funk and progressive rock, all fused in a style where improvisation remains the central axis. The group is known for its balance between structure and freedom, with explosive cuts, tight interplay, strong support for soloists, and other qualities that reflect the chemistry among its members and the virtuosity of each one. https://www.ohjazz.tv/mag/step-into-flamenco-jazz-chapter-one monthly 0.5 2025-11-09 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/18dbe8e2-6e36-41a0-8ba4-8e79fb9f7b53/OJ+Pedro_Iturralde.jpg Blog - Step Into Flamenco Jazz! – Chapter One - Pedro Iturralde Flamenco Jazz represents the first — and perhaps the most fertile, rich, and meaningful — meeting ground between flamenco and jazz. It’s the most vibrant and thought-provoking blend in the history of both genres, and arguably the most significant expression of Spanish music in the last forty years. What’s more, it has spread beyond Spain, embraced by musicians around the world — proof of its truly universal dimension. This extraordinary hybrid celebrates the powerful and natural union of two “music of the people,” whose deep roots, shared histories, and social parallels made their coming together all but inevitable. It’s only natural, then, that in the 21st century Flamenco Jazz has drawn growing intellectual attention and inspired books, essays, and analyses — all reflecting the creative energy that continues to shine through in performances, recordings, masterclasses, and tours. The parallels between flamenco and jazz — historical, cultural, and human — naturally give rise to aesthetic and formal affinities. When these are explored with talent, something beautifully eclectic emerges. Its evolution has followed a familiar path: early hints and precursors, the first clear expressions, consolidation and recognition, and finally maturity and stability, once the phenomenon was accepted — and celebrated. https://www.ohjazz.tv/mag/yilian-canizares monthly 0.5 2025-10-20 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/a8888b3c-c69a-4094-914d-dfd82761b66f/Yilian.webp Blog - Yilian Cañizares and the African Ancestry of Jazz Jazz is an art form built on tradition, molded by the transatlantic currents of rhythm and resistance. Beneath its heady harmonies and soaring solos lies a history of migration, resilience, and cultural collaboration. Through the violin and voice of Yilian Cañizares, this heritage becomes audible: a synthesis of Afro-Cuban rhythms, world-class violin technique, and jazz-latin fusion. The African ancestry of jazz lies at the core of its rhythmic language, expressive phrasing, and communal spirit. Long before the genre took shape in New Orleans, African musical concepts like polyrhythms, call and response, and the use of music as participatory ritual had already crossed the Atlantic through the forced migrations of the slave trade. These traditions, preserved and transformed in places like Havana and New Orleans, became the foundation of blues, spirituals, and ultimately jazz itself. Hailing from Havana, Cuba, Cañizares’ musical milieu is steeped in diverse cultural influences. As a young violinist, she was trained in the rigorous traditions of the Russian school and eventually went on to win the Cuban National Violin Contest four times. She performs in Spanish, French, and Yoruba—the latter adopted through her engagement with Afrocentric spiritual traditions. In 1997, she began studies at the Academia Latinoamericana de Violín in Venezuela and, in 2000, completed her formal training at the Fribourg Conservatory in Switzerland. After settling in Switzerland, Cañizares established herself as both a performer and composer, collaborating with artists across genres, languages, and borders. Shortly after graduation, she founded her first jazz quartet, Ochumaré, named for the West African Yoruba deity symbolizing the rainbow and renewal. She used this as an opportunity to combine Yoruba melodies, Latin-jazz rhythms, and classical nuance; in 2008, the group went on to win the Montreux Jazz Festival Competition. Soon gaining international recognition, Le Nouvel Observateur named her a rising star in 2013, Les Inrockuptibles ranked her 2015 album Invocación among the top ten South American recordings of the year, and her 2019 release Erzulie was nominated for the Songlines Music Award for Best Album. Rooted in both classical precision and Afro-Cuban spirituality, Cañizares’ style exemplifies the transatlantic dialogue that has always defined jazz. Her fusion of Western conservatory technique with African diasporic expression echoes the very formation of the genre itself—a marriage between discipline and freedom, past and present, Cuba and Africa. To listen to Cañizares is to hear the perseverance of African ancestry in contemporary jazz: a transcendent lineage carried through language, music, and tradition. by Theo Bookey https://www.ohjazz.tv/mag/bebop-birth-of-modern-jazz monthly 0.5 2025-10-20 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/49aff0fd-48bb-4912-adad-a214647414b2/godz1-9SN9C8sRApc-unsplash.jpg Blog - Bebop and the Birth of Modern Jazz At the beginning of the 1940s, jazz underwent a profound transformation. In the nightclubs of Harlem—especially at Minton’s Playhouse and Monroe’s Uptown House—a group of young African American musicians began developing a new musical language that would break away from the dominant style of the time: swing. From those informal sessions, bebop emerged—a movement that would forever change the history of jazz. Swing, popular in the 1930s, was danceable music performed by large orchestras and aimed at mass entertainment. Although commercially successful, many musicians felt that the format limited their creativity. Artists like Charlie Parker (alto saxophone), Dizzy Gillespie (trumpet), Thelonious Monk (piano), and Kenny Clarke (drums) began to explore more complex harmonies, irregular rhythms, and structures that favored individual improvisation. With them, jazz stopped being dance music and evolved into a more introspective and challenging art form. Between 1943 and 1945, Parker and Gillespie led the bebop revolution with historic recordings like “Groovin’ High” and “Salt Peanuts” (1945), which showcased the speed, energy, and virtuosity that defined the new style. That same year, Parker recorded “Ko Ko”, considered one of bebop’s foundational pieces, where his technical mastery and harmonic creativity marked a turning point in jazz improvisation. At the same time, pianist Thelonious Monk developed a highly distinctive harmonic language, full of dissonance, silence, and unexpected accents, evident in compositions like “’Round Midnight” and “Epistrophy”. Meanwhile, Bud Powell, influenced by Parker, brought the bebop language to the piano, with a fast, intense, and melodically free style. His 1949 piece “Tempus Fugue-it” is a clear example of the technical and expressive height the movement reached. In the second half of the 1940s, bebop became the center of modern jazz. The drums, led by Kenny Clarke and Max Roach, took on a more dynamic role—using the ride cymbal to keep time and freeing up the bass drum for creative rhythmic accents. On double bass, musicians like Oscar Pettiford and Ray Brown stood out, providing a precise and energetic harmonic and rhythmic foundation. In 1948 and 1949, new musicians such as Miles Davis and Fats Navarro joined the bebop scene, bringing freshness and new ideas. After playing with Parker, Davis recorded the sessions known as Birth of the Cool in 1949, marking the transition toward a more relaxed style—cool jazz. Meanwhile, Fats Navarro left a lasting impression with his bright tone and elegant phrasing. Beyond musical innovation, bebop held deep cultural and social significance. In a context of racial segregation, its creators used jazz as a form of African American artistic affirmation. It was a music that rejected the commercialization of swing and reasserted the musician as an intellectual and creator, not merely an entertainer. Its complexity and introspective nature reflected a search for both individual and collective freedom. Although initially criticized for being difficult and seemingly inaccessible, bebop eventually became the foundation of modern jazz. In the 1950s, its ideas gave rise to new currents such as hard bop (led by Art Blakey and Horace Silver), cool jazz, and later, the modal jazz of Miles Davis and John Coltrane. The death of Charlie Parker in 1955 symbolized the end of bebop’s golden age, but its influence endured across all jazz that followed. https://www.ohjazz.tv/mag/history-of-the-habanera monthly 0.5 2025-10-07 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/56201436-65ec-4de5-93ff-0991de74d42e/tiago-claro-Ui8pWOO9FCE-unsplash.jpg Blog - Havana to Harlem: The History of the Habanera Picture this: Havana, Cuba in the mid-19th century. There is music everywhere; infectious rhythms and lively dancing make the city feel alive. Locals tap their feet, dancing the Contradanza, a popular style of dancing based around a specific polyrhythm, the Habanera. Fast-forward 100 years to 1956, and hear the same rhythmic pulse driving tantalizing new sounds of the Horace Silver Quintet. How did one rhythm travel thousands of miles to shape the sound of jazz and all modern music? With its name literally translating to “From Havana,” the Habanera is regarded as a deeply rooted musical tradition in Cuba. In the 19th century, Havana was a cultural and ethnic melting pot, shaped in part by its role as a major hub of the transatlantic slave trade, which brought hundreds of thousands of enslaved Africans to Cuba. This African presence in Cuba resulted in an explosion of culture, bringing new religions, new dances, and new sounds to the island of Cuba. New and exciting African poly-rhythmic devices like the Tresillo made a huge impact on the pre-existing musical traditions in Havana. The godfather of all Afro-Cuban rhythmic traditions, the tresillo was responsible for introducing the inimitable 3:2 polyrhythm to Latin Music. Resulting in famous styles of music such as the Rumba, the Danzón and the Habanera, the influence of African culture on the early development of Latin musical traditions cannot be understated. Throughout the 19th century, Havana and New Orleans were inextricably interconnected as hubs of importation and immigration. As an exporter not just of sugar, molasses, and coffee, Cuba also sent many musicians to the then-growing cultural nexus of New Orleans. It wasn’t long before the Afro-Cuban invention of the Habanera made landfall in Louisiana. The seductive syncopation of the Habanera was irresistible to dance to and quickly became a hit in dance halls and ballrooms. Local NOLA composers like pianist Louis Moreau Gottschalk would incorporate the new style in songs like Bamboula as early as 1848. In 1875, famous French Romantic composer Georges Bizet immortalized the sound by writing an aria titled simply, Habanera, in his magnum opus, Carmen. By the late 1800s, the rise of early traditional jazz (sometimes referred to as Dixieland) contained clear influences from the Afro-Cuban sounds of the mid-century. Early trailblazers of the ragtime genre, such as Scott Joplin and Jelly Roll Morton, incorporated the Habanera rhythm into their compositions. In fact, Jelly Roll Morton referred to the Habanera simply as the "Spanish tinge,” and acknowledged that it was fundamentally essential to jazz music. As ragtime morphed into the Swing era of the early 20th century, these syncopated rhythms persisted, assimilating into the idiomatic language we call jazz. Swing music itself, famous for its typical long-long, short-long ride-cymbal pattern, is a direct interpolation of the Habanera’s long-short, long-long clave pattern. Who would have thought jazz icons like Benny Goodman, Dizzy Gillespie, and Art Blakey were borrowing from the Afro-Cuban traditions of Habaneros centuries before them? While Swing music and its later evolutions into bebop, hard bop, and beyond are distinctly their own genres, it is important to recognize the monumental influence of Afro-Cuban traditions. Modern jazz music, latin music, and all genres of fusion share a heritage. They are all unique, yet tied to a common ancestor: The Habanera. https://www.ohjazz.tv/mag/entra-en-el-flamenco-jazz monthly 0.5 2025-11-09 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/18dbe8e2-6e36-41a0-8ba4-8e79fb9f7b53/OJ+Pedro_Iturralde.jpg Blog - ¡Entra en el Flamenco Jazz! Capítulo Primero - Pedro Iturralde El Flamenco Jazz constituye el primer mestizaje tanto del flamenco como del jazz, el más fértil y rico, el más sustancioso e interesante. Asimismo, es la mejor índole de música española de los últimos cuarenta años, la de mayor significación e inquietud. Por añadidura, también se cultiva fuera de España y por músicos extranjeros, en señal de su perfecta dimensión universal. Este gran mestizaje celebra, acertada y positivamente, la magnífica unión de dos músicas de raza, destinadas desde sus mismísimos albores a hermanarse de forma natural e íntima, según sus múltiples y consistentes nexos antropológicos, artísticos y socio-culturales. Lógico pues que, en especial tras irrumpir el siglo XXI, el Flamenco Jazz suscite cierta atención intelectual, esfuerzos bibliográficos incluidos, que potencia desde un prisma teórico esa obvia y estimulante vitalidad que no deja de revelar en su propuesta pública (discos, actuaciones, clases magistrales, ciclos, giras, etc). Los parangones existentes entre Flamenco y Jazz en términos antropológicos e históricos, a escala humana y social, lógicamente comportan y propician concordancias estético-formales. Aplicando éstas con el debido talento, aflora tan ecléctica música. Revelando un desarrollo nada infrecuente en tales casos: 1) Precedentes e insinuaciones. 2) Surgimiento, con cierta decisión. 3) Consolidación, definida. 4) Desarrollo y estabilización, una vez asumido, y celebrado, el fenómeno. https://www.ohjazz.tv/mag/jazz-mexican-journey monthly 0.5 2025-10-01 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/dfbe7945-f2d9-4255-bad7-8fdda3ab8e05/jorge-gardner-99vQDox_Lwg-unsplash.jpg Blog - From Danzón to Duke Ellington: Jazz’s Mexican Journey Jazz, which emerged in the United States at the end of the 19th century, soon found fertile ground in Mexico for its reception and transformation. Early contact between Mexican and American musicians allowed the genre to spread throughout the country, where it acquired its own characteristics through interaction with local traditions. Over more than a century, jazz in Mexico has gone through phases of introduction, consolidation, experimentation, and contemporary revitalization, becoming an essential component of national cultural life. The roots of jazz in Mexico go back to the 1880s, when Mexican military bands performed in New Orleans and some of their members stayed behind, participating in the development of the earliest jazz expressions. Later, during the first decades of the 20th century, Prohibition in the United States encouraged the arrival of foreign musicians to Mexico, who found a welcoming environment in the dance halls and theaters of Mexico City. By the 1930s, large jazz orchestras had become part of the Mexican musical landscape, integrating into urban entertainment circuits. This process reached a milestone in 1954 with the production of the first national jazz recording. Likewise, the presence in Mexico of international figures such as Duke Ellington, who performed at the Palacio de Bellas Artes in 1968, underscored the cultural relevance that jazz had acquired in the country. During the 1950s and 1960s, a period known as the “golden age” of jazz in Mexico took shape. This era was marked by the proliferation of specialized clubs, the emergence of new audiences, and the shift from big bands to smaller ensembles, which allowed greater space for improvisation. At the same time, the genre began to engage in dialogue with local musical expressions, opening fertile ground for sonic experimentation. The interaction of jazz with traditions such as danzón, mambo, and later son jarocho, among others, led to musical proposals that went beyond merely imitating foreign models and instead encouraged fusion. In this way, jazz in Mexico became a space of cultural synthesis, where Afro-Caribbean and national influences converged, generating a distinctive style within the Latin American scene. On the other hand, it’s important to note that Mexican music has found in jazz a fertile ground for reinvention. Songs like “Bésame mucho” by Consuelo Velázquez have become international standards, reinterpreted by jazz musicians who see in its lyricism a space for improvisation. Another iconic example is “Frenesí” by Alberto Domínguez, which Artie Shaw brought into the realm of swing in the 1940s, marking a milestone in the global projection of Mexican song. Even popular melodies like “La Llorona” and “Cielito Lindo” have been the subject of jazz arrangements, where traditional forms dialogue with modern harmony and interpretive freedom. In each adaptation, the Mexican essence is transformed without being lost, showing that these songs have a universal character capable of resonating in the language of jazz. https://www.ohjazz.tv/mag/jazz-bossa-affair monthly 0.5 2025-09-22 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/d230fc2b-f2e3-4cc4-8d9e-0141767c3a4a/Ipanema Blog - Whispers from Ipanema: The Jazz-Bossa Affair In the warm sunsets of Rio de Janeiro, where the waves of the Atlantic kiss the concrete of Ipanema and verses escape between acoustic guitars, a sound was born that forever changed the history of popular music: Bossa Nova. An authentic and uniquely Brazilian expression ended up seducing the giants of American jazz, who lost themselves in the passion and quality of a genre that seemed distant but ultimately proved to be an extraordinary complement—forming one of the most striking fusions of the 20th century. Bossa Nova flourished in the late 1950s in the central neighborhoods of Rio, such as Copacabana and Ipanema. Young Brazilian musicians, influenced by samba but also by cool jazz records that circulated quietly, began experimenting with a new style: complex harmonies, poetic lyrics, a vocal style that felt like a whisper, and a soft syncopated rhythm that would become one of the genre’s fundamental pillars. It was João Gilberto, with his revolutionary way of playing guitar and singing, who planted the seed. Antonio Carlos Jobim, pianist and composer, contributed the harmonic architecture. Vinícius de Moraes, the poet, gave it soul and landscape. Thus was born an intimate, distinctive genre full of flourishes that could enchant any listener. Bossa Nova is a unique kind of music that, due to its jazz-inspired origins, fuses splendidly with the American genre. From the start, its creators absorbed elements of American jazz: bebop chord progressions, the open harmonies of cool jazz, and the melodic freedom of artists like Chet Baker and Gerry Mulligan. They added their own essence—an authenticity that blossomed from the desire to create something new that reflected their environment and culture. The fusion didn’t take long to find resonance in the United States. In 1962, guitarist Charlie Byrd introduced saxophonist Stan Getz to the new style, and together they recorded the iconic album Jazz Samba. But it was with Getz/Gilberto (1964), alongside João Gilberto and Jobim, that the phenomenon exploded. The album included a song that would become universal: “The Girl from Ipanema,” a Grammy winner and symbol of that magical alliance between Brazil and jazz where singer Astrud Gilberto lingers just behind the beat with a breathy, delicate rubato that makes the melody feel like a daydream drifting on a breeze. Bossa Nova brought its language, rhythm, and cadence—not to mention its sensuality—which beautifully complemented the harmonic liberties offered by jazz and, of course, its improvisational freedom. Seen from a broader perspective, the Brazilian guitar maintains samba’s rhythmic pattern, but more relaxed and syncopated. The chord progressions, influenced by modern jazz, include tensions and colors like the 9th, 11th, and 13th. The melodies lend themselves well to improvisation, especially on saxophone, piano, or flute—and of course, the soft, almost whispering voice that captivates listeners. https://www.ohjazz.tv/mag/jazz-in-japan monthly 0.5 2025-08-06 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/cd033fd9-636f-40c8-9bf4-bc1f146a473b/jazz-in-japan.jpg Blog - Jazz in Japan: A Never-ending Movement The history of jazz in Japan is a fascinating journey of cultural exchange, resistance, creative appropriation, and aesthetic renewal. Since its arrival in the early decades of the 20th century, this musical genre has undergone a process of adaptation and reinterpretation that has made it an integral part of Japanese cultural life. Through different historical stages—from pre-war modernization to the postwar era and its consolidation in international festivals—jazz has acquired a unique depth in Japan, a reflection of an appropriation that is not merely imitative, but genuinely creative. Jazz arrived in Japan in the 1920s, tied to the country’s rapid modernization, its openness to Western influences, and the rise of urban entertainment. Filipino and American musicians began performing in port cities like Yokohama, Kobe, and Osaka, introducing local audiences to this new sound. Soon, jazz became associated with cinema, cosmopolitan culture, and the emerging urban middle class, especially in Tokyo. At this early stage, the music was consumed more as a symbol of modern sophistication than as a deeply understood art form. However, during World War II, jazz was banned by the imperial government, as it was considered “enemy music” originating from the United States. This censorship did not entirely eliminate its influence, as many fans continued to listen to it in secret, safeguarding imported records and clandestine recordings. After the war ended in 1945, and with the U.S. occupation, jazz returned forcefully to Japanese cultural life. American military bases, radio stations, and nightclubs became key spaces for its diffusion, marking a new phase of the genre’s consolidation. In the 1950s and 1960s, jazz found a new home in the jazu kissa, or jazz cafés. These venues, known for their sober atmosphere, specialized vinyl collections, and high-fidelity audio equipment, became centers of cultural and musical learning. The jazu kissa not only played recordings that were impossible to find in regular stores, but also served as spaces for contemplation, critical exchange, and aesthetic appreciation. It was in this context that a new generation of Japanese musicians began to develop their own jazz language. From the 1970s onward, Japanese jazz ceased to be merely an interpretation of American models and became an original artistic proposal. Artists like Sadao Watanabe, Toshiko Akiyoshi, and Terumasa Hino began exploring fusions between jazz and traditional Japanese music, incorporating oriental scales, native instruments, and distinct narrative forms. This movement, sometimes referred to as wa-jazz, gained momentum and helped position Japan as a respected global jazz scene. The creation of festivals such as Live Under the Sky, Mount Fuji Jazz Festival, and the Newport Jazz Festival in Madarao cemented this international presence. https://www.ohjazz.tv/mag/flamenco-jazz monthly 0.5 2025-07-29 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/966603bc-5297-4ddc-a805-9e464de953f8/pexels-raymond-lanier-1635616294-27597829.jpg Blog - From Andalusia to New Orleans: The Crossroads of Sound Throughout history, various musical genres have emerged and evolved as a result of interaction and fusion between different cultures. These blends enrich the musical traditions of peoples and generate unique styles that reflect diversity and evolution. Below, we’ll explore two emblematic examples: jazz, rooted in African migration and American culture, and flamenco, shaped by Arab, Jewish, gypsy, and African influences developed in southern Spain. We’ll also trace the paths forged by two key figures in this fusion process: Paco de Lucía and Chick Corea. Additionally, we’ll highlight pivotal moments involving the legendary Miles Davis, whose influence was crucial to the development of this musical convergence. Jazz developed in the United States in the early 20th century, particularly in African American communities, especially in New Orleans. It emerged from a fusion of African musical traditions brought by enslaved people, with European rhythms and Caribbean melodies. This genre reflects a history of migration, resistance, and creativity among Afro-descendant communities in the U.S. Jazz is characterized by improvisation, syncopated rhythm, and emotional depth. Over time, it absorbed influences from other musical styles, expanding globally and transcending borders and cultures. Flamenco has its roots in southern Spain, specifically in Andalusia, a region shaped by centuries of cultural exchange among Arabs, Jews, Gypsies, and African slaves. These communities coexisted and contributed to the creation of a genre that embodies a fusion of traditions. Flamenco includes singing (cante), guitar playing (toque), dancing (baile), and improvised singing styles. From the 1950s to the 1970s, flamenco experienced a period of introspection and a push for purity, in response to repression by the Franco regime, which from the late 1930s restricted cultural expressions. This process led to the consolidation of flamenco’s deep roots, preserving its identity and authenticity—standing in contrast to jazz, which during that same period experienced enormous growth and global reach. In 1960, Miles Davis and Gil Evans brought Spain to jazz, creating one of the first fusions between these two genres. The album Sketches of Spain—their third collaboration—features works like “Concierto de Aranjuez” (composed by Joaquín Rodrigo) and “The Pan Piper.” This album is proof that these two musical styles were destined to unite, creating a fusion that deeply moves its listeners. In the 1970s, these two worlds converged more profoundly, driven by visionary artists. Paco de Lucía became a central figure in the integration of jazz and flamenco. His virtuosic guitar playing and interest in experimenting with other genres opened new doors. One of de Lucía’s first exposures to jazz came in 1967, with the album Jazz Flamenco by saxophonist Pedro Iturralde, where elements of jazz were blended with flamenco guitar, marking a milestone in fusion history. https://www.ohjazz.tv/mag/oh-jazz-latin-jazz-instruments monthly 0.5 2025-07-08 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/ec51dd49-b6ff-4eb2-96ec-2186b66880ec/Sax+and+Congas.jpg Blog - Latin Jazz Instruments: Roots, Contrasts and Musical Interaction Latin Jazz is, by definition, a genre of fusions: it combines the rhythmic richness of Afro-Cuban music with the harmonic and melodic sophistication of American jazz. This union takes place not only stylistically, but also through its instruments, which come from very different cultural backgrounds yet find fertile ground for musical dialogue. A clear example of this contrast can be seen between the congas and the saxophone. The congas, of African origin, are derived from barrel drums brought to the Caribbean — mainly from the Congo — during the diaspora, and they developed in countries like Cuba, where they took on a central role in genres like rumba. They are hand-played percussion instruments whose primary function is to maintain and enrich the rhythmic foundation. Their sound is visceral, physical, and emotional, as before arriving in Latin America they were used in religious rites and ceremonies. They were originally known as Makuta and Yuka, drums of Bantu origin that evolved into an essential part of Afro-Cuban culture. In the 19th century, they were literally barrels tied with cords and natural leather; in the 20th century, metal tuning lugs were introduced, and the bodies materials began to change to wood or synthetics. This development coincided with the congas' popularization and adoption into jazz and popular music, leading to the widespread use of the name "conga" that persists today. The saxophone, on the other hand, was invented in Europe in 1846 by Adolphe Sax, a Belgian instrument maker who sought to create an instrument that combined the power of brass with the flexibility of woodwinds. Although it was originally intended for military bands and had little acceptance in European classical music, its history changed dramatically in the United States, where it was adopted and transformed by African American musicians in the early 20th century. In the context of jazz, the saxophone was adapted with new techniques in articulation, improvisation, and expressiveness, becoming one of the most iconic instruments of the genre. In songs like “Manteca” (1947), this contrast becomes a collaboration. Composed by Dizzy Gillespie, Chano Pozo, and Gil Fuller, the piece is a landmark in Latin Jazz precisely because it allowed these traditions to interact organically for the first time. The Afro-Cuban percussion, led by Chano Pozo’s congas, sets a persistent and cyclical rhythmic pattern over which the horn section (trumpets, saxophones) executes syncopated phrases, often with a logic closer to bebop. “Manteca,” recorded during the third session of Dizzy Gillespie’s big band, is considered by critic Gary Giddins as one of the most influential recordings in the history of American music. Gillespie described its impact with a powerful metaphor: "It was similar to a nuclear weapon when it burst on the scene. They'd never seen a marriage of Cuban music and American music like that before." Beyond its musical brilliance, Manteca proved that such a cultural combination was possible, and for that reason alone, its influence on both jazz and Latin music is immeasurable. https://www.ohjazz.tv/mag/oh-jazz-pillars-of-latin-jazz monthly 0.5 2025-06-12 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/be5153d4-4628-44c7-8843-f506a47fd5b2/latin+jazz.jpg Blog - Pillars of Latin Jazz: Bauzá, Gillespie and Pozo The development of Latin Jazz—or Afro-Cuban Jazz—cannot be understood without the historic convergence of three fundamental figures: Dizzy Gillespie, Mario Bauzá, and Chano Pozo. Beyond their individual careers, it was the creative exchange between these musicians that sparked a new energy in modern jazz, blending the rhythmic complexity of Afro-Cuban traditions with the harmonic freedom of bebop. This article explores how their collaboration laid the foundation for a vibrant, hybrid, and deeply influential genre. Born in Havana, Cuba, in 1911, Bauzá began his unparalleled musical journey as a clarinetist in the city’s symphony orchestra. He later focused on the trumpet, playing in bands such as Don Azpiazú’s in New York. His arrival in North America in 1930 was met with cultural clashes and racial discrimination—normalized dynamics in the U.S. at the time, where apartment buildings in Manhattan openly displayed signs stating, “No dogs, no Blacks, no Hispanics." New York City was multicultural, with various immigrant groups coexisting, yet xenophobia and racism were ingrained in daily life. People like Bauzá—both Cuban and Black—faced double discrimination, which deeply affected his journey in the U.S. Language barriers also made it hard to form relationships and connections. Nevertheless, despite these adversities, Bauzá found success. Through music, he united Cuban performers and created a cultural fusion that contrasted with the hostile societal environment. His interest in jazz led him to play with various orchestras, including Chick Webb’s band in 1933. He not only proved to be a remarkable musician but also an astute talent scout—he was the one who recommended a young Ella Fitzgerald to Webb. In 1938, after Webb’s death, Bauzá joined Cab Calloway’s band, where he befriended a certain Dizzy Gillespie. From that friendship and countless jam sessions emerged Cubop—or "Afro-Cuban" jazz, as Bauzá called it. The fusion of Cuban music and American jazz grew stronger and gained widespread popularity. In 1941, Bauzá became the musical director of Machito and His Afro-Cubans, a role he held for over 35 years. In this position, he helped develop new sounds and concepts for big bands, including mambo and Afro-Cuban jazz. His greatest contributions were introducing clave rhythms, congas, and timbales to the genre. While the harmonies and melodies leaned toward North American jazz, the percussion was rooted in Afro-Cuban traditions—creating a powerful marriage between the two musical styles. https://www.ohjazz.tv/mag/oh-jazz-global-stage-introduces-the-best-in-jazz-music-fromaround-the-world-to-select-cineplex-vip-cinemas-across-canada-starting-march-10 monthly 0.5 2025-05-13 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/f00aba30-67e3-4c85-af77-45127aea43e0/OhJazz+Global+Stage+Generic+Dated+Poster.jpg Blog - Oh! Jazz: Global Stage Introduces The Best In Jazz Music From Around The World To Select Cineplex VIP Cinemas Across Canada Starting March 10 Toronto, ON – February 19, 2025 – Oh! Jazz: Global Stage is a first-of-its-kind concert series, bringing world-class jazz performances from around the world to the big screen in Cineplex theatres across Canada starting March 10th. Featuring exclusive performances from internationally acclaimed jazz artists, this five-night event series offers an immersive and captivating experience that transports audiences to discover today’s jazz and the rich variety of cultural influences and rhythms from the world’s most iconic jazz venues Sala Villanos in Madrid, Spain, Foundry 616 in Sydney and JazzLab in Melbourne, Australia. Starting March 10, 2025, select Cineplex VIP Cinemas will screen electrifying performances recorded live from renowned jazz clubs across five continents. Each evening begins with a wine & cheese reception, making it the ultimate night out for jazz lovers and culture enthusiasts. The Oh! Jazz: Global Stage series presents a carefully curated selection of world-class jazz performances, showcasing an eclectic mix of styles and international talent. The initial lineup includes: March – Women in Jazz Month Shining a spotlight on the most influential female jazz artists, this month features performances from leading women in the genre including: March 10 – Zela Margossian Quintet ( Foundry 616, Sydney, Australia) – A captivating fusion of World Jazz with Middle Eastern influences March 31 – Rita Satch (JazzLab, Melbourne, Australia) – Genre-defying fusion of deep soul, jazz, and cinematic orchestration. April – Travel the World of Jazz (International Jazz Month) An exploration of jazz’s global influence, featuring top brass jazz performers from Australia. April 14 – James Morrison Sextet ft. Mat Jodrell and Carl Mackey (Foundry 616, Sydney, Australia) – A high-energy exploration of Modern Jazz by legendary multi-instrumentalist James Morrison May – Discover Flamenco Jazz An ode to Spain’s rich jazz heritage, this month showcases the country’s most renowned instrumentalists including: May 5 - Chico Perez-Sarao (Sala Villanos, Madrid, Spain) - Captivating fusion of flamenco, jazz, blues, and classical elements, creating a unique and emotionally resonant sound. May 26 – Olivia Pérez-Collellmir feat. Charles Benavent and the award-winning dancer Nino de los Reyes (Sala Villanos, Madrid, Spain) - A blend of Latin jazz, flamenco, and chamber music that creates a captivating fusion of traditional and modern sounds. Each performance delivers an immersive experience that transports audiences to jazz’s most celebrated stages worldwide. https://www.ohjazz.tv/mag/buenos-aires-jazz-melancolia-y-estilo monthly 0.5 2024-09-26 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/81d24d30-729c-4e34-a42e-a2c4e41b7887/Bandoneon.jpg Blog - Adrián Iaies — Buenos Aires, Jazz, Melancolía y Estilo - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/mag/from-danzas-to-jazz-the-evolution-of-puerto-rican-music monthly 0.5 2024-09-26 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/edba4f96-4f17-4438-8bba-8074a4646a75/David+Sa%CC%81nchez+and+Miguel+Zenon+PIC+by+Wilbert+Sostre.jpg Blog - From Danzas to Jazz: The Evolution of Puerto Rican Music - Make it stand out David Sánchez & Miguel Zenón by Wilbert Sostre https://www.ohjazz.tv/mag/exclusive-review-an-enthralling-performance-by-akane-ezawa-quartet-subscribe-now-to-witness-the-magic monthly 0.5 2024-05-09 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/9d4b344b-e1be-4753-a147-2427a41e4a4c/akane_ezawa_quartet_banner_nocopy.jpg Blog - Exclusive Review: An Enthralling Performance by Akane Ezawa Quartet - Subscribe Now to Witness the Magic! - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/mag/concert-review-caramelo-de-cuba-at-caf-berln-madrid monthly 0.5 2024-04-24 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/e91e7983-82d5-481e-ba1c-c9a7c7918d89/caramelo_de_cuba_full.jpg Blog - Concert Review: Caramelo de Cuba at Café Berlín, Madrid - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/mag/jazz-in-the-1960s monthly 0.5 2024-03-12 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/b438ec66-73ad-4e75-a3ab-92341710a387/john-matychuk-gUK3lA3K7Yo-unsplash+%281%29.jpg Blog - Soulful Revolutions: Jazz's Decade of Change in the 1960s (Part 8 of a 13-Part Series) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/mag/women-in-jazz monthly 0.5 2024-03-12 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/062c5a5f-81f3-4d58-a977-1bc53f8d56d2/women_in_jazz_background.jpg Blog - Women in Jazz - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/mag/syncpated-fusion-2nz3e-58696-ybm48-jbta9-6d6wk monthly 0.5 2024-05-22 https://www.ohjazz.tv/mag/syncpated-fusion-2nz3e-58696-ybm48-jbta9 monthly 0.5 2024-05-22 https://www.ohjazz.tv/mag/syncpated-fusion-2nz3e-58696-ybm48 monthly 0.5 2023-11-08 https://www.ohjazz.tv/mag/syncpated-fusion-2nz3e-58696 monthly 0.5 2023-11-08 https://www.ohjazz.tv/mag/syncpated-fusion-2nz3e monthly 0.5 2023-11-08 https://www.ohjazz.tv/mag/a-window-to-cuba-jp monthly 0.5 2024-03-07 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/5948e1e4-12e1-40fe-bd1d-c12a02182b0b/2L9A1518.jpg Blog - キューバ - アフロ・キューバ・ジャズを発見する - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/7788977f-84ae-41ba-ab86-631440dcc759/image00011.jpeg Blog - キューバ - アフロ・キューバ・ジャズを発見する - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/mag/a-window-to-cuba monthly 0.5 2024-03-07 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/5948e1e4-12e1-40fe-bd1d-c12a02182b0b/2L9A1518.jpg Blog - A Window to Cuba - Discover Afro-Cuban Jazz - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/7788977f-84ae-41ba-ab86-631440dcc759/image00011.jpeg Blog - A Window to Cuba - Discover Afro-Cuban Jazz - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/mag/syncpated-fusion monthly 0.5 2023-09-06 https://www.ohjazz.tv/mag/louis-armstrong-best-songs monthly 0.5 2023-08-03 https://www.ohjazz.tv/mag/interview-mei-inoue monthly 0.5 2023-08-02 https://www.ohjazz.tv/mag/jazz-havana-fabrica-arte-cubano-japan monthly 0.5 2023-07-25 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/23e595be-3987-4f46-b191-4a8620c5d7c3/Fabrica+de+Arte+Cubano.jpg Blog - ハバナでジャズの夜を楽しむ準備はできていますか？ - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/mag/jazz-havana-fabrica-arte-cubano monthly 0.5 2023-07-24 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/2aef3f35-46e9-4c77-8e54-22a76d93dee5/Fabrica_De_Arte_Cubano_Landing.jpg Blog - Are you ready for a night of jazz in Havana? - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/mag/from-ragtime-to-the-birth-of-jazz monthly 0.5 2023-08-10 https://www.ohjazz.tv/mag/a-conversation-with-shinpei-ruike monthly 0.5 2023-07-23 https://www.ohjazz.tv/mag/adam-miller-interview-oh-jazz monthly 0.5 2024-05-22 https://www.ohjazz.tv/mag/central-park-north monthly 0.5 2023-06-16 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/09106da2-7ee3-4303-8cec-e52ec9bda21f/Central+Park+North.jpg Blog - ‘Central Park North’, 37 minutes of creative exploration - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/mag/central-park-north-japan monthly 0.5 2023-06-16 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/09106da2-7ee3-4303-8cec-e52ec9bda21f/Central+Park+North.jpg Blog - セントラル・パーク・ノース(Central Park North )-37分間の創造的な探検 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/mag/young-generation-pioneering-the-japanese-jazz-scene monthly 0.5 2023-06-20 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/1686692317900-UIW3Y5U9S5Q10OD24RNE/obi-pixel7propix-EI4GuyX8qKE-unsplash.jpeg Blog - The young generation pioneering the Japanese jazz scene - Make it stand out Photo: Obi - @pixel7propix / Unsplash. https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/3b7f5485-e887-474f-b410-15baccc02f44/Taku_Full.jpeg Blog - The young generation pioneering the Japanese jazz scene - Make it stand out Taku performing. https://www.ohjazz.tv/mag/young-generation-japanese-jazz-scene monthly 0.5 2023-06-13 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/1686691882762-OXQC2B2MAL4RRRRRYFDF/christian-chen-wUHDeTLoACM-unsplash.jpeg Blog - 日本のジャズシーンを開拓する若い世代 - Make it stand out Photo: Christian Chen / Unsplash. https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/3b7f5485-e887-474f-b410-15baccc02f44/Taku_Full.jpeg Blog - 日本のジャズシーンを開拓する若い世代 - Make it stand out Taku performing. https://www.ohjazz.tv/mag/yosuke-onuma-interview monthly 0.5 2023-05-30 https://www.ohjazz.tv/mag/seleccion-hiroko-kaidi-akinnibi monthly 0.5 2023-04-30 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/02d539f6-ad94-4049-82a2-3039cdc032b3/Blue+Lab+Beats_+Summer+2021_PHOTO_darkstar358.png Blog - La selección de Hiroko: Kaidi Akinnibi - Make it stand out Blue Lab Beats verano 2021 · Photo: darkstar358 vía Kaidi Akinnibi’s Instagram. https://www.ohjazz.tv/mag/hirokos-selection-kaidi-akinnibi monthly 0.5 2023-04-30 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/4f97810c-af67-4865-a15d-82ed33783ba1/Kaidi+Coachella.png Blog - Hiroko’s Selection: Kaidi Akinnibi - Make it stand out Akinnibi in Coachella with Black Midi · Photo: Atiba Jefferson vía Kaidi Akinnibi’s Instagram. https://www.ohjazz.tv/mag/selecao-hiroko-kaidi-akinnibi-br monthly 0.5 2023-04-30 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/8d83408e-0629-4ed5-babb-061ab3951c5f/PHOTO_Arthur+Comely.png Blog - Seleção de Hiroko: Kaidi Akinnibi - Make it stand out Photo: Arthur Comely vía Kaidi Akinnibi’s Instagram. https://www.ohjazz.tv/mag/hirokos-selection-kaidi-akinnibi-japanese monthly 0.5 2023-04-30 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/dadcd0ea-eed5-4393-b9c8-0bcdc81ee6a9/Con+Black+Midi+via+The+Austin+Chronicle.jpg Blog - Hiroko's Selection カイディ・アキンニビ - Make it stand out Photo with Black Midi vía The Austin Chronicle. https://www.ohjazz.tv/mag/mes-del-jazz-en-reino-unido-94h8g monthly 0.5 2023-04-29 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/7ed28341-6cb0-4526-8dc3-e88ce1eaa5bd/louis-k-Dva5Y2KPpyM-unsplash.jpeg Blog - Jazz no Reino Unido: Uma história rica e um futuro promissor - Make it stand out Foto: Louis K | Unsplash. https://www.ohjazz.tv/mag/mes-del-jazz-en-reino-unido monthly 0.5 2024-05-22 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/05784565-f21a-44c4-80b4-490030c628aa/federico-tasin-rejtbSVNZII-unsplash.jpeg Blog - Jazz en el Reino Unido: Una historia rica y un futuro brillante - Make it stand out Foto: Federico Tasin | Unsplash. https://www.ohjazz.tv/mag/jazz-in-the-uk-a-rich-history-and-promising-future monthly 0.5 2024-05-22 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/637b6491-0764-4064-b53f-879a39979e2a/kid-circus-HyVXOAxah10-unsplash.jpeg Blog - Jazz in the UK: A rich history and promising future - Make it stand out Photo: Kid Circus | Unsplash. https://www.ohjazz.tv/mag/mes-del-jazz-en-reino-unido-ltekh monthly 0.5 2023-04-29 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/77fdee20-4386-4ae2-a2f2-1ea7405c45d2/david-dibert-POYDluw0tyw-unsplash.jpeg Blog - 英国のジャズ： 豊かな歴史と将来 - Make it stand out Photo: David Dilbert | Unsplash. https://www.ohjazz.tv/mag/a-tribute-to-ella-fitzgerald-by-marshall-mcdonald-japan monthly 0.5 2023-04-24 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/8d096aed-76be-4a70-8e22-a1625f1ff95c/Ella_Fitzgerald_1968.jpg Blog - エラ・フィッツジェラルドに捧ぐ - Make it stand out Fitzgerald in 1968, courtesy of the Fraser MacPherson estate via Wikipedia. https://www.ohjazz.tv/mag/tributo-ella-fitzgeral-marshall-mcdonald monthly 0.5 2024-05-22 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/f19a4ef4-303d-416a-b5b1-efee3d40af1b/Ella_Fitzgerald_1962.jpg Blog - Un tributo a Ella Fitzgerald - Make it stand out Foto publicitaria de Ella Fitzgerald en 1962 · Imagen vía Wikipedia. https://www.ohjazz.tv/mag/a-tribute-to-ella-fitzgerald-by-marshall-mcdonald monthly 0.5 2023-04-24 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/802bb010-2169-4b47-b813-c364ba84e98a/Ella_Fitzgerald_in_September_1947.jpg Blog - A tribute to Ella Fitzgerald - Make it stand out Ella Fitzgerald with Dizzy Gillespie, Ray Brown, Milt Jackson, and Timme Rosenkrantz in New York City, 1947. ! Image via Wikipedia. https://www.ohjazz.tv/mag/jazz-japones-tradicao-modernidade monthly 0.5 2023-04-22 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/61164393-dc37-45a2-9344-4d5bede6dc09/jase-bloor-oCZHIa1D4EU-unsplash.jpeg Blog - Jazz japonês: Uma mistura delicada de tradição e modernidade - Make it stand out Foto: Jase Bloor via Unsplash. https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/32a0bb66-b05e-49f2-a5a2-c47dc2f987ae/Toshiko_Akiyoshi.jpg Blog - Jazz japonês: Uma mistura delicada de tradição e modernidade - Make it stand out Toshiko Akiyoshi in 1978 · Foto: Brian McMillen vía Wikipedia bajo Licencia CC. https://www.ohjazz.tv/mag/japanese-jazz-a-delicate-blend-of-tradition-and-modernity monthly 0.5 2023-04-22 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/277442ee-2f31-4043-ad5f-23f832240ecc/andre-benz-Mn9Fa_wQH-M-unsplash.jpeg Blog - Japanese Jazz: A delicate blend of tradition and modernity - Make it stand out Photo: Andre Benz via Unsplash. https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/32a0bb66-b05e-49f2-a5a2-c47dc2f987ae/Toshiko_Akiyoshi.jpg Blog - Japanese Jazz: A delicate blend of tradition and modernity - Make it stand out Toshiko Akiyoshi in 1978 · Photo: Brian McMillen vía Wikipedia under CC License. https://www.ohjazz.tv/mag/japanese-jazz-tradition-modernity-japan monthly 0.5 2023-04-22 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/9ea7e815-94a6-42a2-a496-891469c651bd/louie-martinez-IocJwyqRv3M-unsplash.jpeg Blog - 日本のジャズ： 伝統とモダンの繊細な融合 - Make it stand out Photo: Louie Martinez via Unsplash. https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/32a0bb66-b05e-49f2-a5a2-c47dc2f987ae/Toshiko_Akiyoshi.jpg Blog - 日本のジャズ： 伝統とモダンの繊細な融合 - Make it stand out Toshiko Akiyoshi in 1978 · Photo: Brian McMillen vía Wikipedia under CC License. https://www.ohjazz.tv/mag/jazz-japones-abril monthly 0.5 2024-05-22 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/302cf55b-6918-4851-b07a-e8377c1c1da7/denys-nevozhai-6ULy3pxuxL8-unsplash.jpeg Blog - Jazz Japonés: Una delicada mezcla de modernidad y tradición - Make it stand out Foto: Denis Nevozhai via Unsplash. https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/32a0bb66-b05e-49f2-a5a2-c47dc2f987ae/Toshiko_Akiyoshi.jpg Blog - Jazz Japonés: Una delicada mezcla de modernidad y tradición - Make it stand out Toshiko Akiyoshi in 1978 · Photo: Brian McMillen vía Wikipedia under CC License. https://www.ohjazz.tv/mag/australian-jazz-laid-back-vibe-br monthly 0.5 2023-04-15 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/676ecda3-e929-42c5-b204-ddc54fe9f53a/dan-freeman-7Zb7kUyQg1E-unsplash.jpeg Blog - Jazz australiano: Vibração relaxada com foco na experimentação e improvisação - Make it stand out Photo: Dan Freeman via Unsplash. https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/f388f156-4c9c-4355-b0d1-23270be0d3dd/SANDY-EVANS-%26-ANDREW-ROBSON-QUARTET_Banner.jpeg Blog - Jazz australiano: Vibração relaxada com foco na experimentação e improvisação - Make it stand out Photo: Kewal via Unsplash. https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/4121bc6b-8424-4851-8bf4-7affca696fcf/Andrea-Keller_Banner.jpeg Blog - Jazz australiano: Vibração relaxada com foco na experimentação e improvisação - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/d1a18b31-6865-495b-a7b5-d7f97095ab1c/Rai-Thistlethwayte-feat.-Ben-Vanderwal_Banner.jpg Blog - Jazz australiano: Vibração relaxada com foco na experimentação e improvisação - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/b80110d0-b8c0-49fa-ac78-e6a9f36f8bc1/Rita-Satch_Banner.jpeg Blog - Jazz australiano: Vibração relaxada com foco na experimentação e improvisação - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/mag/australian-jazz-laid-back-vibe-jap monthly 0.5 2023-04-15 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/90fcfce6-fdd5-48f6-a2fe-a14e83da2dbd/photoholgic--alau3_kCrU-unsplash.jpeg Blog - 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Australian Jazz: Laid-back vibe with a focus on experimentation and improvisation - Make it stand out Photo: Matt Zhang via Unsplash. https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/f388f156-4c9c-4355-b0d1-23270be0d3dd/SANDY-EVANS-%26-ANDREW-ROBSON-QUARTET_Banner.jpeg Blog - Australian Jazz: Laid-back vibe with a focus on experimentation and improvisation - Make it stand out Photo: Kewal via Unsplash. https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/4121bc6b-8424-4851-8bf4-7affca696fcf/Andrea-Keller_Banner.jpeg Blog - Australian Jazz: Laid-back vibe with a focus on experimentation and improvisation - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/d1a18b31-6865-495b-a7b5-d7f97095ab1c/Rai-Thistlethwayte-feat.-Ben-Vanderwal_Banner.jpg Blog - Australian Jazz: Laid-back vibe with a focus on experimentation and improvisation - 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https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/5ff93789-a2ac-499b-a1ea-e4a3d7ce0eeb/Special-Nwe-Quartet_Banner_nocopy.jpg show - Special Nwe Quartet - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/stanley-jordan daily 0.75 2024-05-21 https://www.ohjazz.tv/yutaka-shiina-trio daily 0.75 2023-12-27 https://www.ohjazz.tv/thndo daily 0.75 2024-05-21 https://www.ohjazz.tv/mijf-tal-cohen daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/f84e12f8-1b1b-4a97-83f1-4efebcb8d8a2/Tal-Cohen_Banner_Nocopy.jpg show - MIJF: Tal Cohen - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/mijf-the-what-ifs daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/f7dd3347-0332-4007-88e8-c0440f732788/The-What-Ifs_Banner_Nocopy.jpg show - MIJF: The What Ifs - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/mornington-lockett-quartet-ft-henry-lowther daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/26da56c9-aff4-4004-b825-ad072ed828e4/Mornington-Lockett_Banner_nocopy.jpg show - Mornington Lockett Quartet ft. Henry Lowther - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/sandy-evans-and-andrew-robson-quartet daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/e1f7f26b-b249-429e-af51-305c2519bdfb/SANDY-EVANS-%26-ANDREW-ROBSON-QUARTET_Banner.jpg show - Sandy Evans and Andrew Robson Quartet - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/galaxstare-ft-kristin-berardi-and-21monks daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/888fd658-e6ac-47c0-93e7-13a3511acf08/Galaxstare_Banner.jpg show - Galaxstare ft. Kristin Berardi & 21Monks - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/roland-perrins-afrojula daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/75c99dbf-f83d-41b1-8e3e-fa31406f0013/Roland-Perrin_Banner_nocopy.jpg show - Roland Perrin - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/gene-jackson-trio-tribute-to-elvin-jones daily 0.75 2023-12-27 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/1581763d-4dbe-41a7-a26b-15d56f558675/Gene-Jackson-Trio_Banner_nocopy.jpg https://www.ohjazz.tv/yosuke-inoue-trio daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/0d3b3d2f-3443-43ee-a46f-863ac22d62cb/Yosuke-Inoue-Trio_Banner_nocopy.jpg show - Yosuke Inoue Trio - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/rita-satch daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/c6d67c62-2b9a-4367-ae4f-c5553a56cd14/Rita_Satch_Banner.jpg show - Rita Satch - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/mastretta daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/24ff7f77-88cf-49e2-9fd0-2db390c02c1c/Mastretta_Banner_nocopy.jpg show -Mastretta - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/marco-marconi-ft-emma-rawicz daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/60927251-6201-4fa9-9c6f-f591031de216/Marco-Marconi-feat-Emma-Rawicz_Banner_nocopy.jpg show -Marco Marconi ft. Emma Rawicz - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/raymond-mcmorrin-quartet daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/d0ac4da5-7171-43e7-9ed5-96fd6f234970/Raymond-McMorrin-Quartet_Banner_nocopy.jpg show -Raymond McMorrin Quartet - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/tttenor daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/e1646f34-8c5a-4718-a0e6-a32d7b2200f8/TTenor_Banner_nocopy.jpg show -TTTenor - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/hikari-ichihara-quartet daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/41b55d88-29db-43ad-96b7-359489733de2/Hikari-Ichihara-Quartet_Banner_nocopy.jpg show - Hikari Ichihara Quartet - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/james-davidson-and-callum-au daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/7bfffbde-1936-4ece-86ec-a4e556fd098c/James-Davison-%26-Callum-Au_Banner_nocopy.jpg show - James Davison & Callum Au - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/arthur-leas-bootleg-trio daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/348ad2a3-02b0-4dff-a2ce-233ebbfee869/Arthur-Lea%27s-Bootleg-Trio_Banner_nocopy.jpg https://www.ohjazz.tv/jeremy-rose-quartet daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/bad5436a-722c-4e1a-baed-b52100855fdb/Jeremy-Rose-Quartet_Banner_nocopy.jpg https://www.ohjazz.tv/kristin-berardi-and-sam-anning daily 0.75 2024-04-15 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/9bc28d00-efd0-4ee9-b887-a37901006757/Kristin-Berardi-%26-Sam-Anning_Banner_nocopy.jpg https://www.ohjazz.tv/hiro-honshuku-and-yuka-kido-love-to-brasil-project daily 0.75 2024-04-15 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/edea5455-a85a-4314-819c-9ccec0c4fc66/Hiro-Honshuku-%26-Yuka-Kido_Banner_nocopy.jpg https://www.ohjazz.tv/audrey-powne daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/94387e9a-4b2c-464b-9882-d8a1aa009035/audrey_powne_banner.jpg show - Audrey Powne - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/mie-joke daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/71d0ee3c-ab2a-4cb5-a9e3-78253c9cc11c/Mie-Joke_Banner_nocopy.jpg show - Mie Joke - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/kristin-berardi-meets-cannonball daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/71afa062-bcee-4322-943d-6dda1afb2aa0/Kristin-Berardi-meets-Cannonball_Banner_nocopy.jpg show - Kristin Berardi meets Cannonball - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/jackson-mathod daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/b816a7f8-84fb-49fc-b7da-e738a6548dc8/Jackson-Mathod_Banner_nocopy.jpg show - Jackson Mathod - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/laura-jurd daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/2d985201-8ad2-45ed-bbbe-596d8c134264/Laura-Jurd_Banner_nocopy.jpg show - Laura Jurd - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/howard-alden daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/c3e2244a-7456-46e1-9ecc-2afc2e0e5021/Howard-Alden_Banner_nocopy.jpg show - Howard Alden - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/zoe-gilby daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/9a8d4165-c1f4-4a15-844f-fee372976c3f/Zoe-Gilby_Banner_nocopy.jpg show - Zoe Gilby - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/hisatsugu-suzuki-trio-organ-funky-jazz daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/14c01b71-56d2-4729-b20d-691565a0984e/Hisatsugu-Suzuki-Trio_Banner_nocopy.jpg show - Hisatsugu Suzuki Trio: Organ Funky Jazz - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/legit-quintet daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/1d6c2894-a26c-4bdd-a0a0-1fe50e32b7b0/Legit-Quintet_Banner_nocopy.jpg show - Legit Quintet - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/yunior-terry-undercurrents daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/2e41f1fc-fbf0-476f-8456-c09844c84a9a/Yunior-Terry_Banner_NoName.jpg show - Yunior Terry: Undercurrents - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/checkerboard-lounge daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/e102f6ed-f22e-4437-a60c-9338c05bbfa5/Checlerboard_Banner.jpg show - Checkerboard Lounge - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/mjc-presents-antripodean-ensemble daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/67668e13-be0f-45b2-adf6-a708dd98d310/Antripodean_Ensemble_Banner_no-copy.jpg show - Antripodean Ensemble - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/mat-jodrell-quartet daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/56bceaaa-922e-4cd1-8654-687ea3be3560/Mat-Jodrell-Quartet_Banner_NoName.jpg show - Mat Jodrell Quartet - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/jorge-pardo-pulsos daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/eff9535e-4ded-4686-b5a5-e8af4c48dd0f/Jorge-Pardo_Banner_nocopy.jpg show - Jorge Pardo "Pulsos" - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/jam-fiesta-flamenca-with-karime-amaya daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/f1348ab2-9a13-4750-a784-44f49e94ede6/Karime-Amaya_Banner_nocopy.jpg show - Jam Fiesta Flamenca with Karime Amaya - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/jas-kayser daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/759e81d4-b4e1-44dd-9986-ea0a02f486a2/Jas_Kayser_Banner_no-copy.jpg show - Jas Kayser - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/grace-mahya-playing-narrative-trio daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/24461679-be6f-4611-8d3c-e88bdb3b0c0b/Grace_Mahya_Banner_no-copy.jpg show - Grace Mahya Playing Narrative Trio - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/twanguero daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/53d77ede-9a1c-4f1f-aa48-efd1711f0e26/Twanguero_Banner._no-copyjpg.jpg show - Twanguero - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/geila-zilkha-and-super-soul-jazz daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/48a9b416-62f6-40d6-97a6-15d375c1e8df/Geila_Zilkha_Banner_no-copy.jpg show - Geila Zilkha & Super Soul Jazz - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/chano-dominguez-and-diego-amador daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/9c5733a0-65c9-4b9b-bddf-c221b049a3cb/Chano-Dominguez_%26-Diego-Amador_Banner_NoName.jpg show - Chano Dominguez & Diego Amador - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/iain-ballamy daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/25e472f6-cd94-42d0-b4db-19e0123e118d/Ian_Ballamy_Banner.jpg show - Iain Ballamy - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/front-page-orchestra daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/aba3f453-dafb-48d4-92bb-6a29dd7052ac/OTT_Banner.jpg show - Front Page Orchestra - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/kejime-collective daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/80347529-0646-4f45-8688-7d53c437f916/Kejime-Collective_Banner.jpg show - Kejime Collective - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/charito daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/b3fef914-6429-437e-bfe6-2523bc41ac72/Charito_Banner_NoName.jpg show - Charito - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/purdy daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/a366ae33-a79b-4df0-9176-bab790a8d548/Purdy_Banner.jpg show - Purdy - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/kengo-nakamura-birthday-live daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/db784d2d-8c99-457c-b272-bf71c6e334ae/Kengo_Banner_NoName.jpg show - Kengo Nakamura Birthday Live - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/junko-moriya-sextet daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/38d44a08-c126-46b7-93a9-6f7ca0e20acb/Junko-Moriya_Banner.jpg show - Junko Moriya Sextet - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/toku daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/8627c948-05da-4de3-8e9c-804dee78a7b6/Toku_Banner_nocopy.jpg show - Toku - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/sk4-with-special-guest-masashi-usui daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/c805b0a1-271f-4ae7-b98e-a45b6600f381/SK4_Banner.jpg show - SK4 with Special Guest Masashi Usui - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/the-catholics-30th-anniversary-concert daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/83d2884d-eb9f-45c3-890e-0dfac717a44d/The_Catholics_Banner_nocopy.jpg show - The Catholics 30th Anniversary Concert - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/shannon-barnett-and-rajiv-jayaweera-quartet daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/2d948885-c65f-4c48-9ca3-93b44bfb66cb/Shannon_Barnett_%26_Rajiv_Jayaweera_Banner_nocopy.jpg show - Shannon Barnettt & Rajiv Jayaweera Quartet - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/stephen-byth-octet daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/da861dc5-b399-4cf8-ab71-e5990f329855/Stephen_Byth_Octet_Banner_nocopy.jpg show - Stephen Byth Octet - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/this-world daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/4c602577-4a64-4e6f-ae10-aa2aad5538af/This_World_Banner_nocopy.jpg show - This World - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/alex-garnett daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/9e4f008b-f560-427e-9ade-51ce93d48d53/Alex-Garnett_Banner.jpg show - Alex Garnett - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/kimiko-itoh daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/18bb6e43-ad6f-4502-b7ba-3d6dceb4ca0a/Kimiko-Itoh_Banner.jpg show - Kimiko Itoh - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/hue-blanes daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/35629cea-4740-4197-b3b9-bd0664fc4ded/Hue_Blanes_Banner_NoName.jpg show - Hue Blanes - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/barney-mcall daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/27c78b41-3adc-4d66-9711-98e78aac65e3/Barney-McAll_Banner_NoName.jpg show - Barney McAll - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.ohjazz.tv/michelle-nicolle-quartet daily 0.75 2024-05-21 https://images.squarespace-cdn.com/content/v1/610cb9b9ca93e444c5bea2a8/18236c8a-eafb-4760-bb51-267fc5efb7fc/Michelle-Nicole_Banner_NoName.jpg show - Michelle Nicolle Quartet - Make it stand out Whatever it is, the way you tell your story online can make all the 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